UNREAL MAP2

EACH RAMP HAS A DIFFERENT LIGHT COLOUR.

CAMBELL'S RAMP HAS GREEN LIGHT REPRESENTING DNA AND

COUSTEAU'S RAMP HAS BLUE LIGHT FROM THE COLOUR OF THE SEA.

BOTH COLOURS ARE MIXED AT THE INTERSECTION PLACE, THE L SHAPE.

THEN THE MIXED COLOUR CHANGES TO DARKNESS. THIS REPRESENTS

DISAGREEMENT, WHICH OFTEN HAPPENS

WHEN TWO PEOPLE MEET FOR THE FIRST TIME AND DISCUSS ONE TOPIC.

HOWEVER, THE DARKNESS IS CHANGES TO BRIGHT WHITE LIGHT

AT THE MEETING POINT.

LIGHT CHANGE

BLUE(J) GREEN(K)

lㅡㅡㅡㅡㅡㅡㅡl

l

MIXED

l

DARK

l

BRIGHT WHITE

THE MEETING POINT IS IN BETWEEN TWO LABORATORIES IN THE SKY.

LOCATION OF MEETING POINT

COUSTEAU'S RAMP

CAMBELL'S RAMP

INTERSECTION PLACE

MEETING POINT

COUSTEAU'S LABORATORY

COUSTEAU'S LABORATORY

CAMBELL'S LABORATORY

STIAR

CAMBELL'S LABORATORY

PARALLEL PROJECTIONS

I DID NOT CHANGE ANY BRIGHTNESS AND CONTRAST

BUT USED DIFFERENT SCANER

OPPOSITE ANGLE

"ELECTROLIQUID AGGREGATION"

A LOT OF PEOPLE ATTACK THE SEA TO KNOW HOW

EVERYTHING WORKS BUT I JUST WANT TO MAKE LOVE TO IT.

JACQUES-YVES COUSTEAU

"A lot of people attack the sea, I make love to it."

KEITH CAMBELL

"I just want to know how everything works".

UNREAL MAP1

THE SPACE BEHIND THE VERTICAL SURFACE IS COUSTEAU'S LABORATORY

AND IN FRONT OF THE VERTICAL SURFACE IS CAMBELL'S LABORATORY.

CAMBELL'S LABORATORY

CAMBELL'S LABORATORY

"I just want to know how everything works."

KEITH CAMBELL'S LABORATORY IS BASED ON THE SYMMETRY

WHICH IS ONE OF THE PRINCIPLES ABOUT HOW EVERY THING WORKS

AND LABORATORY DOES NOT HAVE A WALL THEREFORE ONE CAN SEE

EVERYTHING AROUND.

ASSESS TO COUSTEAU'S LABORATORY

COUSTEAU'S LABORATORY

"A lot of people attack the sea, I make love to it."

BIG RECTANGULAR SYMBOLIZES A LOT OF PEOPLE WHO ATTACK

THE SEA AND SMALL SQUARE SYMOLIZES JACQUES-YVES COUSTEAU WHO ENCOURAGE

PEOPLE TO LOVE THE SEA. ALSO THE BLUE WALL, FLOOR AND CEILING

WHICH SURROUND THE LABORATORY SYMBOLIZE THE SEA.

18 AXONOMETRIC (JACQUES-YVES COUSTEAU)

JACQUES-YVES COUSTEAU

"A lot of people attack the sea, I make love to it."

THE MAIN CONCEPT OF JACQUES-YVES'S AXONOMETRIC IS RELATIONSHIP

BETWEEN BIG SOLID WHICH SYMBOLIZES A LOT OF PEOPLE WHO ATTACK

THE SEA AND SMALL SOLID WHICH SYMOLIZES JACQUES-YVES WHO ENCOURAGE

PEOPLE TO LOVE THE SEA.

18 AXONOMETRIC (KEITH CAMBELL)

KEITH CAMPBELL
"I just want to know how everything works."

THE IDEA BEHIND KEITH CAMBELL'S AXONOMETRIC IS THE SYMMETRY

WHICH IS ONE OF THE PRINCIPLES ABOUT HOW EVERY THING WORKS.

Exp2 Quotations

ALFRED NOBEL

"Hope is nature's veil for hiding truth's nakedness."

REFERENCE

http://www.people.ubr.com/education/by-first-name/a/alfred-nobel/alfred-nobel-quotes.aspx

JACQUES-YVES COUSTEAU

"A lot of people attack the sea, I make love to it." 

REFERENCE

http://www.brainyquote.com/quotes/quotes/j/jacquesyve204393.html

KEITH CAMPBELL

"I just want to know how everything works."

REFERENCE

http://www.mblwhoilibrary.org/services/lecture_series/campbell/about.html

SKETCH UP FILE!!

I COULD NOT UPLOAD MY SKETCHUP FILE ON SKETCHUP WAREHOUSE BECAUSE FILE IS TOO HUGE TO UPLOAD ON WAREHOUSE.

ADN I ALSO TRIED TO UPLOAD ON FRONFILE BUT IT IS DOWN ON 2th OF APRIL MORNING.

SO, I UPLOADED MY FILE ON RAPIDSHARE ADDRESS BELOW

http://rs466.rapidshare.com/files/216359835/SKETCH_UP_FINAL_MYUNG_HOON_KIM.skp

9TIMES CAN BE DOWNLOADED

IT WILL BE DELETED AFTER 90 DAYS.

SKETCH UP MOVIE 1

CAMERA MOVES FROM MAIN ACCESS OF GALLERY TO INTERNAL GALLERY

SKETCH UP MOVIE 2

THIS MOVIE SHOWS EXTERNAL VIEW OF MOFFAT'S STUDIO, SECTION AND PLAN

SKETCH UP MOVIE 3

THIS MOVIE SHOWS SKY WINDOW OF HALL'S STUDIO,INTERNAL VIEW AND SECTION

Images of Developed Sketch up Model and 2D Section Drawing

TRACEY MOFFAT

THIS PHOTO IS USED AS A THEME OF ABOVE GROUND FLOOR MOFFAT'S STUDIO

I FELT STRONG MIND FROM THE RACER COLOUR PRINTED. HE LOOKS LIKE

DOES NOT CARE ABOUT OTHE PEOPLE AND HIS OWN SITUATION HE HAS

HANDICAP. "HE IS JUST MOVEING FORWARD".

EVENTHOUGH HE IS NOT ON THE TOP OF THE RACE.

SO, I CHOOSE A WORD "STEADY" AS A MOTIF OF ABOVE GROUND FLOOR MOFFAT'S STUDIO.

FIONA HALL

THIS SCULPTURE IS UNDERSTOREY BY FIONA HALL

THIS SCULPTURE IS MODEL OF MY BELOWGROUND FLOOR STUDIO

WHICH INSPIRED BY WORD "DEATH"

SECTION DRAWING FROM WORDS STEADY AND DEATH

EXTERNAL VIEW OF BUILDING

MATERIALS

FIRST FLOOR : PAINTED METAL, GLASS AND TEXTURE(ORGANIC) ON TILE
GROUND FLOOR : PAINTED METAL, GLASS AND TEXTURE(MAT) ON WALL PAPER
BELOW GROUND FLOOR : R.CONCRETE GLASS AND TEXTURE(GRAINY)

TEXTURES
1 ORGANIC 2 MAT 3. GRAINY

SECTION1

SECTION 2

GALLERY

STAIR WITH BALUSTRADE (GROUD->ABOVE)

STAIR WITH TEXTURE (GROUND->BELOW)

TRACEY MOFFAT'S STUDIO

HALF OF STUDIO'S FLOOR IS MADE UP OF GLASS.

I CHANGED SIZE OF TEXTURE BECAUSE TEXTURE WAS TOO BIG COMPARE TO

ROOM SIZE AND HER WORK.

FIONA HALL'S STUDIO (SKY WINDOW AND GLASS FLOOR)