EXP3 UT (DRAFT2)

ELEVATOR (DRAFT2)

OBAMA

MADONNA

36TEXTURES(MOVEMENT)

MEETING SPACE AND DINING TABLE

MEETING SPACE

THE SHAPE OF THE MEETING SPACE IS FROM THE STARS.

IT SYMBOLIZE TWO STARS OBAMA AND MADONNA.

THE MEETING SPACE WILL BE HUNG UNDER THE BRIDGE.

IT MEANS THAT AS THE MOST STARS CAN NOT TWINKLE THEM SELF,

(MOST STARS TWINKLE BY REFLECTING THE LIGHT) OBAMA AND MADONNA

CAN NOT SHINE WITHOUT THE PEOPLE'S LOVE.

I EXPECT THAT OBAMA AND MADONNA WILL DISCUSS IN MEETING SPACE

ABOUT HOW THEY GIVE LOVE BACK TO PEOPLE.

modeling with sketch up rendering with atlantis

modeling with sketch up rendering with atlantis

DINING TABLE

TABLE IS HUNG TOO INSIDE OF THE MEETING SPACE.

THE TABLE IS DESIGNED BY SAME MOTIF WITH MEETING SPACE.

ELEVATOR (DRAFT)

ELEVATOR FOR OBAMA

THE CONCEPT BEHIND THE ELEVATOR FOR OBAMA IS "INFLUENCE".

THE LATTICES ON EACH FACE OF ELEVATOR SHOW THE FLOW

OF THE INFLUENCE. 

FROM INSIDE TO OUT SIDE OR FROM OUT SIDE TO IN SIDE

ELEVATOR FOR MADONNA

THE MAIN CONCEPT OF THE ELEVATOR FOR MADONNA IS FEMINISM.

THE SHAPES OF THE ELEVATOR IS INSPIRED BY MARSHMALLOW AND MAKE-UP SPONGE.

Marshmallow:

http://www.style.com/beauty/beautycounter/2008/10/marshmallow-for-your-hair-smore-of-that-please/  (ACCESSED DATE: 19.MAY.09)

Make-up Sponge

http://www.cherryculture.com/cosmetics/makeup/nyx-cosmetics/nyx-makeup-sponge-super-nbr-round/17107 (ACCESSED DATE: 19.MAY.09)

18 TWO POINT PERSPECTIVES

UT MODEL DRAFT1

18ONE POINT PERSPECTIVES

MASH UP

Power of extraordinary thinking

No human is as striking as Madonna, Obama and Prada about her métier. As the pop singer, president and designer, He introduced the outline of a plan calling “change”, eccentric, unconventional and conspicuous plan. Madonna, Obama and Prada’s decision promoting fundamental changes is provocative to the traditional groups. Madonna, Obama and Prada faced some criticism. A plan could be opposed by some human who derided a plan as unaffordable and wasteful. He defeated human navigated a plan as boldly. He proposed moving toward exploration and optimistic high hope. Madonna, Obama and Prada has distinguished herself with her attempt, challenges and no formal plans. A local newspaper quoted Madonna, Obama and Prada as saying that "Ascend to the secret realms and be Adopters who adopt free in making plans. It is special authorities had given to everyone."

References

PRADA

Guy Trebay, Miuccia Prada, The New York Times, April 7, 08,

http://topics.nytimes.com/topics/reference/timestopics/people/p/miuccia_prada/index.html?scp=3&sq=prada&st=cse (ACCESSED 9. MAY. 09)

MADONNA

Unknown, Ruling Scheduled in Madonna's Adoption Effort, The New York Times, March 30, 09,

http://artsbeat.blogs.nytimes.com/2009/03/30/ruling-scheduled-in-madonnas-adoption-effort/?scp=1&sq=RULING%20SCHEDULED&st=cse (ACCESSED 9. MAY. 09)

OBAMA

Unknown, Barack Obama, The New York Times, MAY 7, 09,

http://topics.nytimes.com/top/reference/timestopics/people/o/barack_obama/index.html?scp=1-spot&sq=OBAMA&st=cse (ACCESSED 9. MAY. 09)

FILEFRONT

UNREAL FINAL MAP

http://files.filefront.com/DM+ARCH1101+MYUNGHOON+KIMut2/;13701541;/fileinfo.html

FINAL UNREAL MAP

IN THIS PROJECT, I FOCUSED ON THE EXTREME CONTRAST BETWEEN LIGHT 

AND SHADE AND SHADOWS PRODUCED BY SIMPLE SHAPES. 

THE SPACE BEHIND THE VERTICAL SURFACE IS COUSTEAU'S LABORATORY

 AND IN FRONT OF THE VERTICAL SURFACE IS KEITH CAMBELL'S LABORATORY.

THE MEETING POINT IS IN BETWEEN THESE TWO LABORATORIES IN THE SKY.

COLOUR CHANGE

EACH RAMP HAS A DIFFERENT LIGHT COLOUR FROM EACH LABORATORY. KEITH CAMBELL'S RAMP HAS GREEN LIGHT REPRESENTING DNA AND JACQUES-YVES'S RAMP HAS BLUE LIGHT FROM THE COLOUR OF THE SEA. BOTH COLOURS ARE MIXED AT THE INTERSECTION PLACE THE L SHAPE. THEN THE MIXED COLOUR CHANGES TO DARKNESS. THIS REPRESENTS DISAGREEMENT, WHICH OFTEN HAPPENS WHEN TWO PEOPLE MEET FOR THE FIRST TIME AND DISCUSS ONE TOPIC. HOWEVER, THE DARKNESS CHANGES TO BRIGHT WHITE LIGHT AT THE MEETING POINT.

 LIGHT CHANGE

 BLUE (J)          GREEN (K)

lㅡㅡㅡㅡㅡㅡㅡl

l

MIXED

l

DARK

l

BRIGHT WHITE

MEETING POINT AND RAMPS

COUSTEAU'S LABORATORY

"A lot of people attack the sea, I make love to it."

 A LOT OF WALLS SURROUND COUSTEAU'S LABORATORY. THESE SYMBOLIZE A LOT OF PEOPLE WHO ATTACK THE SEA. THE SMALL SQUARE SYMBOLIZES COUSTEAU WHO ENCOURAGES PEOPLE TO LOVE THE SEA. ALSO THE BLUE WALLS, FLOOR AND CEILING WHICH SURROUND THE LABORATORY SYMBOLIZE THE SEA. I CHOOSE THE EXTREME CONTRAST BETWEEN THE DARKNESS OF WALLS AND THE LIGHT OF COUSTEAU'S LABORATORY TO HIGHLIGHT THE DIFFERENCE BETWEEN THE NEGATIVITY OF THE SEA’S ATTACKERS AND COUSTEAU’S LOVE OF THE SEA.

 CAMBELL'S LABORATORY 

"I just want to know how everything works."

 KEITH CAMBELL'S LABORATORY IS BASED ON THE SYMMETRY WHICH IS ONE OF THE PRINCIPLES ABOUT HOW EVERY THING WORKS. THE CEILING AND FLOOR ARE SYMMETRICAL WITH RESPECT TO THE PLANE. THE LABORATORY DOES NOT HAVE A WALL THEREFORE ONE CAN SEE EVERYTHING AROUND. THE GROOVED BEAMS ON THE FLOOR AND CEILING SYMBOLIZE THE DNA MAP.