18 TWO POINT PERSPECTIVES

UT MODEL DRAFT1

18ONE POINT PERSPECTIVES

MASH UP

Power of extraordinary thinking

No human is as striking as Madonna, Obama and Prada about her métier. As the pop singer, president and designer, He introduced the outline of a plan calling “change”, eccentric, unconventional and conspicuous plan. Madonna, Obama and Prada’s decision promoting fundamental changes is provocative to the traditional groups. Madonna, Obama and Prada faced some criticism. A plan could be opposed by some human who derided a plan as unaffordable and wasteful. He defeated human navigated a plan as boldly. He proposed moving toward exploration and optimistic high hope. Madonna, Obama and Prada has distinguished herself with her attempt, challenges and no formal plans. A local newspaper quoted Madonna, Obama and Prada as saying that "Ascend to the secret realms and be Adopters who adopt free in making plans. It is special authorities had given to everyone."

References

PRADA

Guy Trebay, Miuccia Prada, The New York Times, April 7, 08,

http://topics.nytimes.com/topics/reference/timestopics/people/p/miuccia_prada/index.html?scp=3&sq=prada&st=cse (ACCESSED 9. MAY. 09)

MADONNA

Unknown, Ruling Scheduled in Madonna's Adoption Effort, The New York Times, March 30, 09,

http://artsbeat.blogs.nytimes.com/2009/03/30/ruling-scheduled-in-madonnas-adoption-effort/?scp=1&sq=RULING%20SCHEDULED&st=cse (ACCESSED 9. MAY. 09)

OBAMA

Unknown, Barack Obama, The New York Times, MAY 7, 09,

http://topics.nytimes.com/top/reference/timestopics/people/o/barack_obama/index.html?scp=1-spot&sq=OBAMA&st=cse (ACCESSED 9. MAY. 09)

FILEFRONT

UNREAL FINAL MAP

http://files.filefront.com/DM+ARCH1101+MYUNGHOON+KIMut2/;13701541;/fileinfo.html

FINAL UNREAL MAP

IN THIS PROJECT, I FOCUSED ON THE EXTREME CONTRAST BETWEEN LIGHT 

AND SHADE AND SHADOWS PRODUCED BY SIMPLE SHAPES. 

THE SPACE BEHIND THE VERTICAL SURFACE IS COUSTEAU'S LABORATORY

 AND IN FRONT OF THE VERTICAL SURFACE IS KEITH CAMBELL'S LABORATORY.

THE MEETING POINT IS IN BETWEEN THESE TWO LABORATORIES IN THE SKY.

COLOUR CHANGE

EACH RAMP HAS A DIFFERENT LIGHT COLOUR FROM EACH LABORATORY. KEITH CAMBELL'S RAMP HAS GREEN LIGHT REPRESENTING DNA AND JACQUES-YVES'S RAMP HAS BLUE LIGHT FROM THE COLOUR OF THE SEA. BOTH COLOURS ARE MIXED AT THE INTERSECTION PLACE THE L SHAPE. THEN THE MIXED COLOUR CHANGES TO DARKNESS. THIS REPRESENTS DISAGREEMENT, WHICH OFTEN HAPPENS WHEN TWO PEOPLE MEET FOR THE FIRST TIME AND DISCUSS ONE TOPIC. HOWEVER, THE DARKNESS CHANGES TO BRIGHT WHITE LIGHT AT THE MEETING POINT.

 LIGHT CHANGE

 BLUE (J)          GREEN (K)

lㅡㅡㅡㅡㅡㅡㅡl

l

MIXED

l

DARK

l

BRIGHT WHITE

MEETING POINT AND RAMPS

COUSTEAU'S LABORATORY

"A lot of people attack the sea, I make love to it."

 A LOT OF WALLS SURROUND COUSTEAU'S LABORATORY. THESE SYMBOLIZE A LOT OF PEOPLE WHO ATTACK THE SEA. THE SMALL SQUARE SYMBOLIZES COUSTEAU WHO ENCOURAGES PEOPLE TO LOVE THE SEA. ALSO THE BLUE WALLS, FLOOR AND CEILING WHICH SURROUND THE LABORATORY SYMBOLIZE THE SEA. I CHOOSE THE EXTREME CONTRAST BETWEEN THE DARKNESS OF WALLS AND THE LIGHT OF COUSTEAU'S LABORATORY TO HIGHLIGHT THE DIFFERENCE BETWEEN THE NEGATIVITY OF THE SEA’S ATTACKERS AND COUSTEAU’S LOVE OF THE SEA.

 CAMBELL'S LABORATORY 

"I just want to know how everything works."

 KEITH CAMBELL'S LABORATORY IS BASED ON THE SYMMETRY WHICH IS ONE OF THE PRINCIPLES ABOUT HOW EVERY THING WORKS. THE CEILING AND FLOOR ARE SYMMETRICAL WITH RESPECT TO THE PLANE. THE LABORATORY DOES NOT HAVE A WALL THEREFORE ONE CAN SEE EVERYTHING AROUND. THE GROOVED BEAMS ON THE FLOOR AND CEILING SYMBOLIZE THE DNA MAP.

THE TEXTURES IN THE MDEL

"ELECTROLIQUID AGGREGATION"

A LOT OF PEOPLE ATTACK THE SEA TO KNOW HOW

EVERYTHING WORKS BUT I JUST WANT TO MAKE LOVE TO IT.

I USED DARK TEXTURE ON THE REPEATED WALL WHICH SURROUNDS COUSTEAU'S LABORATORY

TO SMBOLIZE A LOT OF PEOPLE WHO ATTACK THE SEA.

THE LIGHT TEXTURE IS USED INSIDE OF THE COUSTEAU'S LABORATORY

TO SMBOLIZE COUSTEAU WHO LOVES THE SEA.

THE MEDIUM TEXTURE IS APPLIED

 IN THE RAMP OF CAMBELL'S LABORATORY

LECTURE7: The Black Box

The image above shows a very simple building shape compared to other

images from Lecture7 Black Box. The building consists of a simple box and

a flat wall. there are no curves and complex intersections, but simple shapes are

showing their adventages in this image. Strong and clean shadows made

by simple shapes make the impressive atmosphere I like. Also repeated

walls and ceiling and floor, which are symmetrical with respect to the horizontal

plane, help to define the space and provide a stable mood. By using the same

colour-white-in every place which surrounds the building, people are made

to focus on the main building.

'

Applied thought

1. Simple shape (Main concept)

2. Repeated walls (Cousteau's Laboratory)

3. Ceiling and floor which are symmetrical with respect

to the horizontal plane (Cambell's Laboratory)

4. Using the same material in every place which surrounds
the main building (Cousteau's Laboratory)

36 TEXTURES

UNREAL MAP2

EACH RAMP HAS A DIFFERENT LIGHT COLOUR.

CAMBELL'S RAMP HAS GREEN LIGHT REPRESENTING DNA AND

COUSTEAU'S RAMP HAS BLUE LIGHT FROM THE COLOUR OF THE SEA.

BOTH COLOURS ARE MIXED AT THE INTERSECTION PLACE, THE L SHAPE.

THEN THE MIXED COLOUR CHANGES TO DARKNESS. THIS REPRESENTS

DISAGREEMENT, WHICH OFTEN HAPPENS

WHEN TWO PEOPLE MEET FOR THE FIRST TIME AND DISCUSS ONE TOPIC.

HOWEVER, THE DARKNESS IS CHANGES TO BRIGHT WHITE LIGHT

AT THE MEETING POINT.

LIGHT CHANGE

BLUE(J) GREEN(K)

lㅡㅡㅡㅡㅡㅡㅡl

l

MIXED

l

DARK

l

BRIGHT WHITE

THE MEETING POINT IS IN BETWEEN TWO LABORATORIES IN THE SKY.

LOCATION OF MEETING POINT

COUSTEAU'S RAMP

CAMBELL'S RAMP

INTERSECTION PLACE

MEETING POINT

COUSTEAU'S LABORATORY

COUSTEAU'S LABORATORY

CAMBELL'S LABORATORY

STIAR

CAMBELL'S LABORATORY